CV

Erika Vogt
Born 1973, East Newark, New Jersey.
Lives and works in Brooklyn, NY.

Education
2003     MFA, California Institute of the Arts, Valencia, CA
1996       BFA, New York University, New York, NY

Solo Exhibitions
2019
“Artist Theater Program: Rattle Road”, Overduin and Co.,
Los Angeles

2017    
Weed Beach,” Mary Mary, Glasgow, Scotland UK

2016    
Eros Island: Knives Please Rise,” Overduin & Co, Los Angeles, CA

2015    
Slug,” Simone Subal Gallery, New York, NY

2014   
Speech Mesh - Drawn OFF,” curated by Andrew Bonacina, The Hepworth Wakefield Museum, West Yorkshire, UK
Speech Mesh - Drawn OFF,” curated by Celine Kopp, Triangle France, Marseilles, France

2013    
Stranger Debris Roll Roll Roll,” curated by Jenny Moore and Margot Norton, The New Museum, New York, NY

2012    
The Engraved Plane,” Simone Subal Gallery, New York, NY

2010                              
Geometric Persecution,” Overduin and Kite, Los Angeles, CA
Secret Traveler Navigator,” curated by Juli Carson, Room Gallery, University of California at Irvine, Irvine, CA

2008   
Motor Post Motor Band Disband,” Mesler & Hug, Los Angeles, CA

Artist Theater Program Commissions
2015    
Artist Theater Program: Lava plus Knives,” curated by Charles Aubin for Performa NY, Co-produced by Galeries Lafayette and ICA Miami (Artist publication produced by Galeries Lafayette) with artists Shannon Ebner, Dylan Mira, Math Bass, Lauren Davis Fisher, Nora Slade, Adam Putnam, Silke Otto-Knapp
“Artist Theater Program: A Piano is for Knife,” with Shannon Ebner and Dylan Mira, ICA, Miami, FL

2014   
Artist Theater Program,” curated by Victoria Brooks, EMPAC / Experimental Media and Performing Arts Centre at Rensselaer Polytechnic Institute with artists MPA, Math Bass, Lauren Davis Fisher, Adam Putnam, Mark So, Flora Wiegmann, Mariah Garnett, Silke Otto- Knapp

2013
“Artist Theater Program,” Hammer Museum, Los Angeles, CA

2011
“Artist Theater Program,” REDCAT, Los Angeles, CA

Selected Group Exhibitions, Screenings, Collaborations
2019
“You”,  Musée d’Art moderne de la Ville de Paris/ Lafayette Anticipation Collection - Endowment Fund Famille Moulin, Curated by Anne Dressen, Paris, France

2018
Les Ateliers de Rennes, Biennial of Contemporary Art, Curated by Céline Kopp and Etienne Bernard, Rennes, France
“Mature Themes”, Curated by John Garcia, Foxy Productions, New York, NY

2017  
Pool,” Commissioned by Laura Fried for the Seattle Art Fair in collaboration with artist Dylan Mira 
“Women to the Front,”  Lumber Room, Portland OR 
Soil Erosion,” curated by Shannon Ebner, Altman Siegal, San Francisc, CA
Inventory of Shimmers,” curated by Henriette Huldisch, List Center, MIT, Cambridge, MA (catalogue)
“Curve of hill like the curve of a green shoulder,” Mary Mary, Glasgow, Scotland UK
Erika Vogt, Ken Tam,” Carl Louie, London, Ontario, Canada
At night the states,” curated by Shoghig Halajian and Suzy Halajian, Hammer Museum, Los Angeles, CA

2016
Répétition,” curated by Nicola Lees and Asad Raza, Boghossian Foundation Villa Empain, Brussels, Belgium
“Further Than I Can Throw A Stone,” curated by Jenifer Papararo, Plug In Institute of Contemporary Art, Winnipeg, MB, Canada
“Wasteland,” curated by Shamin Momin, Thaddaeus Ropac and Mona Bismarck American Center, Paris, France
The Earth Is a Magnet,” curated by Anna Craycroft, ICA/Boston, MA

2015
“The Closer I Get To The End The More I Rewrite The Beginning,” curated by Suzy Halajian, Human Resources, Los Angeles, CA
Reconstructions: Recent Photography and Video from the Met Collection,” curated by Douglas Eklund, Metropolitan Museum of Art, New York City, NY
“A kind of graphic unconscious,” curated by Colin Miner, Susan Hobbs Gallery, Toronto, Canada
“2015 Drawing Biennial,” The Drawing Room, London, England
“Paradox in Language: What I look at is never what I wish to see,” curated by Allyson Unzicker, University of California at Irvine, Irvine, CA

2014
Rob Halverson and “Warm Side of Zero,” curated by Rob Halverson, Overduin & Co, Los Angeles CA
“Spheres of Glass,” University of California, San Diego, CA

2013
“Murmurs,” Los Angeles County Museum of Art, Los Angeles, CA
“XOXO,” Night Gallery, Los Angeles, CA
“Everything and All of That,” Simone Subal Gallery, New York, NY
“The Stand In (or A Glass of Milk),” Public Fiction, Los Angeles, CA
“Tenth Anniversary Show,” Wallspace Gallery, New York, NY
Purple Glass,” Overduin and Kite, Los Angeles, CA
Darker Imposter,” co-commissioned by Frieze Foundation and EMPAC / Experimental Media and Performing Arts Centre at Rensselaer Polytechnic Institute

2012
Gap, Mark, Sever, and Return,” curated by Chiara Giovando, Human Resources, Los Angeles, CA
Made in LA 2012,” Hammer Museum, Los Angeles, CA
“==,” curated by Matt Keegan, MFC - Michèle Didier, Paris, France
“M.,” Night Gallery, Los Angeles, CA
Image Transfer: Pictures in a Remix Culture,” curated by Sara Krajewski, Newcomb Art Gallery, Tulane University, New Orleans, LA
Field of Debris,” commissioned by Kristan Kennedy, Portland Institute of Contemporary Art, Portland, OR

2011
“The Future of the Photography Museum,” curated by Lauren Cornell, Foam, Amsterdam, Holland
"The Air We Breathe," organized by Aspara DiQuinzio, San Francisco Museum of Modern Art, San Francisco, CA (catalogue)
“Collapse Into Image,” curated by Madison Brookshire, REDCAT, Los Angeles, CA
Kaleidoscope ARENA, video program curated by Joanna Fiduccia, Rome, Italy
“Progression Minus Progress,” curated by Sarah Lehrer-Graiwer, Romer Young Gallery, San Francisco, CA

2010
Image Transfer: Pictures in a Remix Culture,” curated by Sara Krajewski, Henry Art Gallery, Seattle, WA (catalogue)
“Swagger, Drag, Fit Together,” Wallspace, New York, NY
2010,” 75th Whitney Biennial, curated by Francesco Bonami and Gary Carrion-Murayari, Whitney Museum of American Art, New York, NY (catalogue)

2009
“The Awful Parenthesis,” curated by Aram Moshayedi, Cirrus Gallery, Los Angeles, CA
“Migrating Forms,” Anthology Film Archives, New York, NY
“Common Ground: Four Films,” Los Angeles Filmforum, curated by Thom Anderson, Los Angeles, CA
“A Twilight Art,” curated by Lisa Oppenheim and Jessie Washburne- Harris, Harris Lieberman, New York, NY

2008
“California Biennial,” curated by Lauri Firstenberg, Orange County Museum of Art, Newport Beach, CA
“Imaginary Thing,” curated by Peter Eleey, Aspen Art Museum, Aspen, CO
“The World Is All That Is The Case,” curated by Arthur Ou, Hudson Franklin, New York, NY

2007
“Films Around Photography,” curated by James Welling, Billy Wilder Theater, Hammer Museum, Los Angeles, CA
“Les Temps modernes: collection du Frac Bretagne,” Centre d’art contemporain, Bignan, France
“Shared Women,” curated by Eve Fowler, Amy Steiner, and Emily Roysdon, LACE, Los Angeles, CA

2006
“Film as Event,” curated by Sharon Lockhart, Artists Cinema, Frieze Art Fair, London, UK
Bunch Alliance and Dissolve,” curated by Public Holiday Projects, Contemporary Arts Center, Cincinnati, OH (catalogue)
“The Fantasy of Failed Utopias and a Girl’s Daydream,” curated by Susanne Winterling, State Center of Contemporary Art, Moscow, Russia Stedelijk Museum CS, Kuenstlerhaus Stuttgart, Galerie Meerrettich, Berlin
Tomorrowland: CalArts in Moving Pictures,” curated by Joshua Siegel, Museum of Modern Art, New York, NY
Imaginer Los Angeles,” curated by Dorothee Deyries, Centre Pompidou, Paris, France

Bibliography
2019
Speed, Mitch. “What’s Wrong with a Fairly Good Biennial?”, MOMUS, January, 16, 2019

2018
D’Alto, Sonia. “Screaming to the Future. Report from the Biennial of Rennes.”, Artribune, November, 5, 2018

Fanienne, Richard. “Rennes. C'est parti pour la Biennale d'art contemporain”, Ouest France, Publié le 29/09/2018

Willis, Emma. “Against the tidal forces of the day”: idiorrhythmy, syncopated subjects and the non-assimilative community in the work of Erika Vogt and Jérôme Bel”, Text and Performance Quarterly,  Volume 38, 2018 Issue 1-2, Published April 2018

"Goings On About Town: Mature Themes”, The New Yorker. 26 Feb. 2018

2016
Campbell, Andy. “Critics’ Picks: Erika Vogt,” Artforum.com, September.
“The United States is a Knife,” Art in America, March.
Wedell, Noura. “Shearing away the Railings,” Flashartonline.com, December.
Li, Jennifer. “Erika Vogt at Overduin & Co, Los Angeles,” ArtReview, December.

2015
Kransinski, Jennifer. “Views: New York Exhibitions,” Spike Art Magazine, #46 Winter 2015/2016
Ramirez, Lorelei. “What Happens When You Make a Bunch of Visual Artists Act,” Vice Magazine, November 19.
Caranicas, Devon. “Erika Vogt Explores the Perils of Collaboration at Performa 15,” Sleek Magazine, November 19.
Sellar, Tom. “The Biennial Bonanza Performa 15’ Brings Us Live Performances Created by Visual Artists,” Village Voice, November 17.
Duran, Anne. “Erika Vogt”, Artnews, September, 2015
Mahovsky, Travor. “A kind of graphic Unconscious,” FrameWork 7/15, Published by Susan Hobbs Gallery, Toronto, Ontario, Canada
Brooks, Victoria. “SLUG,” Published by Simone Subal Gallery, NY May.

2014
Putnam, Adam. “Artists at Work: Erika Vogt,” Afterall, April 10.
Annet, Daniel. “Erika Vogt: Speech Mesh – Drawn OFF,” The State of the Arts, May 9.
Keyzer, de. Adèle. “Erika Vogt - Speech Mesh Off-Drawn to Tower Panorama,” The Flight of Ideas, Wednesday, April 9, Journal Ventilo No. 335.

2013
Wise, Lloyd. “Erika Vogt: New Museum,” Artforum, November, p.291, ill.
Creahan, Daniel. “New York – Erika Vogt: ‘Stranger Debris Roll Roll Roll’ at the New Museum,” Art Observed, September 6.
Grabarcyk, Jen and Vogt, Erika. “Stranger Debris Roll Roll Roll,”Theotherjournal.com, August 12.
O’Neill-Butler, Lauren. “Critics’ Picks: Erika Vogt,” Artforum.com, July.
Russeth, Andrew. “Erika Vogt: Stranger Debris Roll Roll Roll at the New Museum,” NY Observer, September 3.
Smith, Roberta, “10 Years,” New York Times, July.
Moore, Jenny and Margot Norton. Erika Vogt: Stranger Debris Roll Roll Roll, The New Museum, New York, NY (mini-catalogue)
Wagley, Catherine. “Five Artsy Things to Do in L.A. This Week,” LA Weekly, March 13.

2012
End Things, interview by Kristan Kennedy, published by Portland Institute for Contemporary Art, Portland, OR, pp. 20-22, ill.
MADE IN L.A., essay by Corinna Peipon, published by Hammer Museum, Los Angeles, CA, pp. 50, 79-82, ills.
Bass, Math. “Take the fire and leave the rest,” ==, published by MFC - Michèle Didier, Brussels, Belgium.
Miller, Joh. “Erika Vogt’s Geometric Persecution,” ==, published by MFC - Michèle Didier, Brussels, Belgium.

2011
Cornell, Lauren. “4 Curators 4 Visions 4 Presentations 1 Museum,” Foam Magazine, Issue 29, Winter 2011, p.91.
The Air We Breathe: Artists and Poets Reflect on Marriage Equality, published by San Francisco Museum of Modern Art, San Francisco, CA, pp. 100-101, ills.
Holte, Michael Ned. “Reviews: ‘ACP,’ Parker Jones,” Artforum, March, pp. 275-276.

2010
Gärtner, Barbara. “Künstler, die uns aufgefallen sind: Erika Vogt,”Monopol, December.
Motley, John. “Critics’ Picks,” Artforum.com, November.
Carson, Juli. Erika Vogt’s Secret Traveler Navigator, Room Gallery, University of California at Irvine, Irvine, CA. (brochure)
Novel Three, edited by Alun Rowlands and Matt Williams, p. 21, ill.
Krajewski, Sara. Image Transfer: Pictures in a Remix Culture, published by Henry Art Gallery, University of Washington, Seattle, pp. 87-89, ills. (catalogue)
Moshayedi, Aram. “Critics' Picks,” Artforum.com, September.
Lehrer-Graiwer, Sarah. “Balancing Bodies with Foreign Geometries,”ArtSlant.com, September 20.
Alemani, Cecilia. “Mythical Narratives,” Mousse, No. 23, March, pp. 156-160, ills.
Marcel, published by P & Co., ill.
Obrist, Hans Ulrich. “Erika Vogt,” Du Magazine, No. 807.
Bonami, Francesco and Gary Carrion-Muryari, eds., 2010: Whitney Biennial, published by Whitney Museum of American Art, New York, NY. (catalogue)
Firstenberg, Lauri. “2010 Looking Forward,” Frieze, January/February.

2009
Moshayedi, Aram. “LA Roundtable: After Materiality and Style,” Art in America, April.
Vogt, Erika. “Top Ten,” Artforum, February.

2008
Kahn, Stanya. “Artists’ Artists: Best of 2008,” Artforum, December.
Holte, Michael Ned. “Best of 2008,” Artforum, December.
Knight, Christopher. “California Biennial at the Orange County Museum of Art,” Los Angeles Times, November 4.
“Erika Vogt in conversation with Aram Moshayedi,” 2008 California Biennial, published by Orange County Museum of Art, Newport Beach, CA, ills.
Taft, Catherine. “Erika Vogt,” Art Review, July/August.
Moshayedi Aram. “Erika Vogt,” Art Papers, July/August.
Myers, Holly. “Around the Galleries,” Los Angeles Times, May 23.
Fanconti, Dana and James Welling, eds., Blind Spot, Issue 37, Spring.

2007
de Holl, Nancy and Erika Vogt. North Drive Press #4, November.
Smith, Roberta. "In These Shows, the Material is the Message," New York Times, August 10.
Bentley, Kyle. “Associate Property,” Artforum, February.
Comer, Stuart. “Looking Back: Emerging Artists,” Frieze, January/ February.

Grants/Fellowships/Residencies
2018
Passerelle Centre d'art contemporain, Brest, FR

2014
Guest Lecturer, The Banff Centre, Alberta, Canada
Artist-in-Residency, Experimental Media and Performing Arts Center, Troy, NY

2002
National Endowments for Arts Grant, Professional Development Fellowship, College Art Association, New York, NY

Public Collections
Fondation Galeries Lafayette, Paris, France
Hammer Museum, Los Angeles, CA
Los Angeles County Museum of Art, Los Angeles, CA
Metropolitan Museum of Art, New York, NY
Fonds régional d’art contemporain Bretagne, Rennes, France